Friday, February 24, 2017

The Crackling Cauldron: 30 Sounds to use in Writing






Greetings, Wizard Writers! Today, I’m excited to share with you some helpful and unique sounds to use in your writing. Below is a list of 30 sounds to choose from, and hopefully, these will match up with your writing to make a scene or event POP in your reader’s mind! I’ve compiled this list in my writing journal over time, and it is one of the lists I frequently check back on for inspiration. I hope you can use it to your advantage as well!


  1. Car Door Slam
  2. Car Horn
  3. Waterfall
  4. Rain
  5. Wind
  6. Thunder
  7. Sleet
  8. Car Brakes/Tire Squeal
  9. Electric Guitar
  10. Light Switch (on/off)
  11. Television
  12. Traffic
  13.  Bell
  14.  Alarm Clock
  15.  Pots and Pans
  16.  Fire Crackling
  17.  Barking Dog
  18.  Water Dripping
  19.  Toilet Flush
  20.  Glass Shattering
  21.  Balloon Pop
  22.  Sirens
  23.  Fireworks (firecracker)
  24.  Gun Fire
  25.  Ice Crackling
  26.  Sneeze 
  27.  Wolf Howl
  28.  Ocean Waves 
  29.  Piano
  30.  Meowing Cats


What other sounds can you think of? Please let me know in the comments!

Check back next week for my upcoming blog post: Mystical Moon and Stars: 45 Astronomy Terms to use in Writing





Tuesday, February 21, 2017

Color Magic: 30 Ways to Write Black





Greetings, Wizard Writers!

Let's dive back into the Color Magic series this week with the beautiful color black. Below, I've composed a helpful list for writers that contains 30 ways to write the color for variety in your projects. As mentioned in prior blog entries, these lists of different ways to state colors in writing were devised from paint swatches obtained from various paint retailers. Please check out your local paint store for swatches and find some new ways to write colors!


  1. Ebony
  2. Blindfold
  3. Charcoal
  4. Iron
  5. Dark Kettle
  6. Silhouette
  7. Deep Space
  8. Black Beauty
  9. Black Satin
  10. Blacktop
  11. Mystery
  12. Baby Seal 
  13. Black Swan
  14. Black Magic
  15. Domino
  16. Ink
  17. Inkwell
  18. Darkroom
  19. Midnight
  20. Eclipse
  21. Ripe Olive
  22. Peppercorn
  23. Galaxy
  24. Spider
  25. Soot
  26. Onyx
  27. Grease
  28. Oil
  29. Raven
  30. Crow

Bonus: 
Traits and Emotions Related to the Color Black

Depression
Danger
Evil
Sins
Subconscious
Hatred
Illness
A void/missing piece
Protection
Shield from outside energies
Burdens
Sacrifice
Imbalance (one side of an issue)
Black holes 
Nightfall
Hidden things
Secrets
Banishing
Silence
Death
Negativity

Story Generator by Color: Black

Horror Stories
Witches or Vampires
The Dark of Night
A Deep Dark Secret
An Evil Presence
The Dark Side of the Moon
Banishing a Person or Issue
A Hidden Object

What other ways to write black can you think of? Please let me know in the comments!



Please check back Friday for my next blog post: The Crackling Cauldron: 30 Sounds to use in Writing


Monday, February 20, 2017

Shadows in the Dungeon: Haunted House Happenings for Paranormal Writers



If you’re a paranormal or horror writer, you have probably written or considered writing a haunted house story. Ghost stories continue to be popular in modern literature, and for good reason. Supernatural stories not only frighten readers and entertain them, they also heighten their imaginations. Readers will return time and again to books that led them to question the true source behind the scratches against the bedroom window or the flickering light in the living room. There will always be a market for haunted house stories!

Today, The Wizard of Writing invites you to light a candle, grab a writing quill, and get ready to use the following list of creepy haunted house happenings in your own spooky stories. 


HAUNTED HOUSE HAPPENINGS

  1. Faces in mirrors
  2. Rain or blood dripping in house from unexplained source
  3. Dark shadows
  4. Scratches on limbs or body
  5. Whispers
  6. Evil sensations
  7. Items breaking
  8. Lights flickering
  9. Battery drainage
  10. Hair tugging
  11. Possession
  12. Items being thrown (Poltergeist)
  13. Items levitating
  14. Dolls moving or speaking
  15. Items working with no batteries or electricity
  16. Static on TV
  17. EVPs (Electronic Voice Phenomenon or voice recordings from beyond)
  18. Fires
  19. Moans and Groans
  20. Chains rattling
  21. Animals distressed or seeing things that are not present
  22. Doors closing and opening on their own
  23. Orbs
  24. Unexplained lights
  25. Invisible breaths
  26. Pushing
  27. Footsteps/Footfalls
  28. Cold Spots
What other haunted house happenings can you think of? Let me know in the comments!



Check back Wednesday for my next blog post: Color Magic: 30 Ways to Write Black.




Tuesday, February 14, 2017

Love Potion: How to Structure Plot in Romance Writing

Romance writing requires a plot structure that varies a bit from other plot structures. The key to romance writing is keeping up that all-too-important tension between the two protagonists, which is an arduous task throughout a 300-400 page novel. There are seven basic parts in the romance writing plot structure, however, that should make it easier to keep up tension and move the story along.The Wizard of Writing invites you to take a long sip of Love Potion, sit back with a box of chocolates, and dive into all that is awesome and magical in plotting romance novels.

The Ordinary World 
Just diving right into a fiery romance is where many writers go wrong with romance writing. First, the reader wants to get to know our characters, including their hopes and dreams, their jobs, their family life, and their strengths and weaknesses. It also helps to note in the opening what the protagonist might be missing in his/her life that only another human being can fill in for them. In the opening chapters, try to keep interest in the story and an emphasis on upcoming plot but weave in some backstory for your protagonists here and there as well. 

The Cute Meet
Your two characters will inevitably meet up at some point, and this should not only be a unique meeting, but one that perhaps causes some initial sparks to fly. One way to do this, incredibly, is by having them hate each other at first. Opposites really do attract, so this might be emphasized in the first meeting. Or maybe they like each other only as friends at first, or perhaps the sparks fly but they ignore them because of other important goals they have to achieve. Either way, The Cute Meet should be unique and memorable.

The Complication
This is where both protagonists realize that there is something at stake if they pursue a relationship. Romantic tensions are high, and perhaps they have even shared a first kiss, but the future of the pairing is unclear. For example, this might be where a vampire wonders if he will hurt a love interest if he continues a relationship, or a prince might wonder if a peasant girl will fit into his world of royalty.

The Midpoint
At this point, the characters are facing emotional conflict about the relationship, and while romantic tensions are high, they both still have a way out of the relationship without getting too hurt in the process. This is also the point where intimacy may occur, although that is not set in stone. The Midpoint also sets up The Final Turning Point and The Black Moment, making up the final parts of the story.

The Final Turning Point
The stakes are highest for our two lovebirds here. If they continue on with a relationship, they might lose any chance of achieving set goals, they might struggle with an inner battle of some sort, or they might question the whole commitment thing altogether. Falling in love—the forever kind of love—is frightening and might leave your character(s) feeling vulnerable. Whatever happens at The Final Turning Point will determine the outcome of the relationship moving forward. This is the point of no return, the moment of ultimate decision and heightened inner conflict.

The Black Moment
Most of us are aware of The Black Moment in plot structure—even if only subconsciously—having read so many stories. This is where everything is dark, the romance is in crisis, the story is at its climax, and the relationship seems lost forever. Decisions have been made, vulnerabilities exposed, and everything is black and bleak. It is here that our characters head toward a decision that determines the fate of the relationship and perhaps even their lives. Maybe they are moving away and have to leave their soulmate behind. Maybe a truth was exposed that one feels they can never move past. Maybe lives were even at stake. The Black Moment should be emotional and read like the climax of the story.

The Ending
In the end, the characters ultimately realize they are stronger with each other and their love is true and forever. They have faced beliefs, determined their goals or let some goals go, and have struggled through the ups and downs of falling in love. This is the happily ever after, and it should leave the reader satisfied.

Bonus Breakdown of Plot Structure in Romance Writing

1. The Ordinary World
2. The Cute Meet
3. The Complication
4. The Midpoint
5. The Final Turning Point
6. The Black Moment
7. The Ending

These rules for romance writing may be broken, of course, but they give us a good idea of how to structure romance novels and how to keep romantic tension high between the two protagonists. I truly hope these help you with writing romance, whether you are writing a traditional romance novel, a specific genre of romance, or even including romantic elements in your story. It helps to think of a finish line (The Ending) and keep yourself moving along like an Olympic runner as you continue to fill in the rest of the story toward that goal. Good luck!

Don’t forget to check back next week for my next blog entry: Shadows in the Dungeon: Haunted House Happenings for Paranormal Writers

Wishing you a Happy Valentine’s Day! What are some of your experiences with romance writing? Let me know in the comments! I’d love to chat about writing with you!

Monday, February 13, 2017

Color Magic: 27 Ways to Write the color Pink






Greetings, Wizard Writers!

Happy Valentine’s Day! With love in the air, I thought I would continue Part 3 of my Color Magic series with other ways to write pink! Below are 27 different ways to use the color in writing, and I hope you can find good uses for them in your own works. Please see my prior Color Magic blog entries for other colors!


Use the below lists in writing the color pink, composing themes, and also for use in poetry. 

27 Ways to Write the color Pink


Cherry
Flamingo
Rose
Rose Petal
Apple Blossom
Blushing/Blush
Hot Pink
Fuchsia
Mauve
Cotton Candy
Bubble Gum
Princess
Pink Quartz
Rosy Cheeks
Pink Ribbon
Seashell
Bubble Bath
Carnation
Peppermint
Valentine
Spring Bloom
Ballerina
Magenta
Punch
Watermelon
Tropical
Raspberry Lemonade

Traits and Emotions Related to the Color Pink

Love
Purity
Compassion
Companionship
Love of Art
Beauty
Modesty
Romance
Immaturity
New Love
Unselfishness
Sensitivity
Female Energy
Pregnancy
Health
Happiness
Optimism
Innocence

Check back tomorrow for my next special Valentine’s Day entry: Love Potion: How to Structure Plot in Romance Writing.


Let me know in the comments if you can think of other ways to write pink!

Friday, February 10, 2017

Presto POV



Greetings, Wizard Writers!


Point of view, or POV, can be difficult or confusing for the beginning writer. The key to POV is to first learn the basic types—first-person, second-person, and third-person—and then stick to one in writing. Opening a story with a specific POV serves as a contract with the reader, letting them know who is telling the story and who they should pay attention to for the duration of the book. Of course we can play around with POV when more experienced, and there are a few advanced types of POV, but for now, the basics will suffice. And they are pretty easy to learn. So let’s wave our magic wands, watch the glitter fall to the page, and get going with Presto POV!

First-person POV 
“I am waving my magic wand.”
This is writing a story from the point of view of one person, or the “I” perspective. Traditionally, these stories are a bit more personalized for the reader. The readers are privy to only the main character’s (or speaker’s) thoughts and experiences, and this creates a tight bond between the reader and the main speaker. The downside is that a little perspective is lost, particularly in regard to the side characters. Everything is filtered through the “I” speaker, with only his or her thoughts and impressions. Still, this POV is popular and used in many novels for strong connections and strong voice. It is especially popular in teen novels. 

Second-person POV
“You are waving your magic wand.”
Second-person POV is rarely used, and when it is, it’s usually to offset a small section of a novel or for literary experimentation. It brings a reader right into the story as the “you” character, but after a few paragraphs, it becomes a bit tiresome. 


Third-person POV
“Celesta is waving her magic wand.”
There are a few types of third-person point of views. Let’s first focus on the close third-person POV. Imagine a camera sitting on your character’s shoulder, and you, as the writer, are the camera. You will see the world only through your character’s perspective and write in the “he” or “she” construction. Here, we are with the character, witnessing the world through their viewpoint. You can focus on one character only here, or change the chapter and stay close to a different character.

The next type of third-person POV is further away, and here, you can envision a camera that pulls away from the character(s) and sees all. You would still be using “he” or “she” when writing, but you have some room to play and can dive into any scene, location, or mind with ease, telling all. It’s also called the “God” POV, as you are basically omnipresent. 

The most important thing to remember when starting out with writing is to stay consistent with POV. You don’t want to use first-person in one paragraph and then change to third-person in the next, as this will confuse the reader. In the beginning, I would recommend identifying the POV in a book you love, sitting down at the computer or writing desk, and copying down a few paragraphs of that book until you feel comfortable using POV in your own works. 


What suggestions or stories do you have about using POV in writing? Post them in the comments!

*Remember to check back next week for some Valentine's Day themed posts from The Wizard of Writing!

Monday, February 6, 2017

Color Magic: 33 Ways to Write Yellow


Greetings, Wizard Writers!

Part 2 of my Color Magic series focuses on the color yellow in writing. As mentioned in Color Magic: 45 Ways to Write Blue (see my prior blog entries), I've compiled lists of different ways to write colors so we're not always using the same boring word. This list was constructed from paint color swatches, a tip I love to share with other writers. Below is a list of 33 ways to write the color yellow, and I hope you can find uses for these in your own writing.





golden spell
chickadee
feather
butter
summer wheat
honey
banana
pineapple
sunset glow
lemon curd
lemon drops
sun glow/sun ray
summer sun
summer moon
summer star
sunflower
colonial yellow
lantern light
Irish Cream
moonlight
butterfly wing
sorbet
dijon
mustard
sunny
golden
dandelion
summer
corn
curry
bee
canary
lemon ice


Traits and emotions related to the color yellow:

Intelligence
Pleasure
Cheerfulness
Sunshine
Radiance
Brightness
Warmth
Clarity
Self-confidence
Happiness
Optimism
Wisdom
Enthusiasm
Ideas
Thinking and Analyzing
Compassion
Energizing
Power
Fun


Check back Friday for my next blog entry: Presto POV 

In the comments, please let me know what other words you use to describe yellow!

Thursday, February 2, 2017

The Magical Dialogue Dragon


Greetings, Wizard Writers!


Dialogue is one of my personal favorite areas of writing, and while not difficult in concept, it is important to master. First, I want to throw away the idea that dialogue in books is not supposed to mimic real-life dialogue. For authentic characters, it is important to write their conversations exactly as you hear them as a writer. Should dialogue be to-the-point? Yes, of course. But don’t cut or skim the dialogue to make it sound bookish. In other words, you want your characters to sound natural, but don’t let them go on and on in pointless conversation. The Wizard of Writing has a Magical Dialogue Dragon who would love to share some quick and fiery tips for dialogue, as well as how to punctuate dialogue properly. So let’s don some armor and check it out!

Dialogue Tip #1   
Individual Dragons
Characters should sound unique in speaking. 
Every character should have their own catchphrases (don’t overdo this, though), and their own manner of speaking. What geographical location are they from? How old are they? What kind of education do they have? Try to match the speaking voice with the personality of the character.

Dialogue Tip #2
Breathe Fire
Make dialogue tense whenever possible.
Dialogue should advance the plot, and to advance the plot, we should always write on conflict. Not every conversation has to be an argument, but the dialogue should achieve a) tension or b) plot progression.

Dialogue Tip #3  
Blazing Subtext
Sometimes people say things that mean something else. 
When subtext is done correctly, the reader should pick up on this and learn a fact about the character that the character might not even know about themselves. Dialogue is a great place to use subtext. 


Dialogue Tip #4 
The Mighty Punctuation Dragon
Make sure to punctuate dialogue correctly.
This area seems to give writers the most difficulty. Here are some examples of how to properly punctuate dialogue. 

“Are you going to breathe fire today, Dragon?” the wizard asked. 

“I am not going to breathe fire today,” Dragon replied.

“We really need you to breathe fire!” the wizard said.

“I just don’t want to,” Dragon said. “Please don’t ask why.”

Dialogue Tip #5 
Slay it with Said
Use “said” as a dialogue tag in most cases.
Readers slide over the word “said” in dialogue tags without even noticing, so it’s best to use this form whenever possible to keep them in a story. You can shake things up here and there with “he replied” or “she asked” or “he shouted,” but don’t get too carried away, and don’t use too many adverbs here, either. Choose “said” most often to keep things clean and moving along.

Do you have any tips on constructing dialogue? Please let us know in the comments!




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